This is progressive this is a masterpiece. Invented by the electro-pioneers of the 1970s. This is space music greatly improved, but owing so much to the musical form Here the whole is certainly greater than any individual part of this 1 hour piece of music.ĭerivative? Absolutely, and shamelessly done too. Troops march from the darkness into a calm landscape, but that refuge could only last so long. No, flute sounds here mean business, the kind that you won't forget. The shifts in tone, timbre, and pace all very natural while the instrumentation is very far from being organic. Playing something like what you might hear from Dead Can Dance in the mid-1980s.
Moog sequencers like TD collide with deep, angry, almost Industrial sounding bass tones hurtled towards synth string sounds From the first small melody played on electric piano, Sister Moon is darkly Redshift Wild 2 (2006 - Rehearsals & studio sessions)Ĭold, but not silent. Redshift VII - Oblivion (2004, studio album) Redshift III - Down Time (1999, studio album) Therefore, following the Berlin adaptations, along new constricts and electronic improvements, much like AIRSCULPTURE and FUTURE SOUND OF LONDON, REDSHIFT is an ensemble worthy of being mentioned in progressive electronic's modern, tranquil, but effective music collection. There are modern taste reluctancies, like some over-modified music quality or some popular-grown effects (between a dance rhythm and a neo-hallucinant electronic gas), but such moments reflect a lot less than the bright or typical infusions and parallels the band achieves. Froese?), sequential explorations and small experimentalism/abstractionism. The biggest styles, chalked by already eight major albums and some extra released material, brings good combinations of dark ambient, cosmic textures, new-atmosphere themes, guitar-keyboard melodism (styled a la E. REDSHIFT finally explores its most lucid art and sound-machine manner through a lot of modern and traditional, atmospherical or cibernetic, analog or digital, sound-sapient or mood-ambitious creation. Founded in 1996 - Still active as of 2015 The biggest styles, chalked by already eight major albums and some extra released material, brings good combinations of dark ambient, cosmic textures, new-atmosphere themes, guitar-keyboard melodism (styled. The more progressive nuances arrive when all the influence can include some heavier elements by SCHULZE (instead of some NEU-rock and "kraft" tonalities) or some guitar-work, much like PINK FLOYD in a marooned way.
ELECTRONICA BAND STARS FULL
Much of the solid sequence, synth and sampling efforts lead to full Berlin-school impressions, though REDSHIFT also compared a lot of modern shrieks and new electronic values. A lot of live and studio works (done under healthy dreams of discovering and improving/improvising) managed to pull REDSHIFT into popular charts, but also into the experienced and relatively profound EM art spot. The band's sound evolved to use the analogue basic characters with a lot of combined digitality and tech-effects.
ELECTRONICA BAND STARS PLUS
Mark Shreeve was already famous by some succesful films scores, plus by a lot of late 80s typical solo projects, filled with ambience and with a sound of strange complexity. The founder of REDSHIFT is Mark SHREEVE, who in the mid-90s invited Julian Shreeve, Rob Jenkins and James Goddard to a full-adrenaline work of electronic modern sound music and art. REDSHIFT can be considered, with all its Berlin-synthasy, neo-sound and dark ambiance, a band of modern sound and high common groove, having, nevertheless, a deep dish of influences and music arrangements, within the classic or modified electronic ideas and movements. Founded in 1996 - Still active as of 2015Įlectronic music (or the "EM factor"), which bases its major structure from the Berlin-school high classic achievement and, mostly, from the typical grandly considered artists of the genre, such as TANGERINE DREAM, SCHULZE and ASHRA, continues a long way into the modern and contemporary phase (and distractions), with a lot of particular changes and new-waves, but mostly with a good definition of synthesizing and ambientizing spiriting up the electronic art and also with solid attitudes of music and composition, that resemble the most evolved, persistant or popular adapted such electronic definitions.